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Jazz Music

September 22, 2009

2009 MacArthurs Announced, Jazz Gets Bupkis

ColbertThe 2009 John D. and Cather­ine T. MacArthur Foun­da­tion announced the 2009 recip­i­ents of their $500,000 “genius” grants today, with nary a jazz or jazz-like musi­cian among them. Let’s hope this isn’t the begin­ning of a trend.

Could it be that Stephen Col­bert has sub­verted the process?

  1. Who would your recip­i­ent be? If one was given to a jazz artist?

    Comment by Lyn Horton — September 22, 2009 @ 7:54 am
  2. I think Con­nie Crothers would be an excel­lent choice.

    Comment by admin — September 22, 2009 @ 7:56 am
  3. No musi­cians at all, actu­ally, so I doubt that jazz was sin­gled out.

    Comment by JD Considine — September 22, 2009 @ 11:35 am
  4. Yeah, the MacArthurs have tra­di­tion­ally been very friendly to jazz, so I’ll cut ‘em some slack …

    Comment by admin — September 22, 2009 @ 11:41 am
  5. Accord­ing to http://www.macfound.org (to which you help­fully pro­vided a link), MacArthur recip­i­ents “may use their fel­low­ship to advance their exper­tise, engage in bold new work, or, if they wish, to change fields or alter the direc­tion of their careers.” Con­sid­er­ing jazz’s cur­rent eco­nomic out­look, if a jazz artist were to be awarded such a grant, per­haps the lat­ter choice would be wis­est. But let’s assume that a jazz fel­low obsti­nately refused to change fields. In that case, my ques­tion is: WHY ON EARTH DOES A JAZZ ARTIST NEED $500,000, paid out in equal quar­terly install­ments over five years? Check­ing online today, I found that a box of 10 La Voz alto sax reeds (medium) has a list price of $40.75, but can be pur­chased from Amazon.com for $17.65. At that cost, over the course of his or her grant, our jazzy MacArthur fel­low could pur­chase 284,091 reeds. How many cho­ruses of “Now’s the Time” would that cover, Chris?

    Comment by Alan Kurtz — September 22, 2009 @ 12:32 pm
  6. LOL! You are truly a wise man, Colonel!

    Comment by admin — September 22, 2009 @ 12:40 pm
  7. No jazz musi­cians, no musi­cians, no vocal­ists, no com­posers, no con­duc­tors, no instru­ment makers.

    Comment by Pamela Espeland — September 23, 2009 @ 3:30 am

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